The perspective of Jeanne and Simon, modern Canadians wholly unaware of their roots in that history, makes the film into something more elusive and complex, a meditation on memory and identity that recalls some of the recent films of Atom Egoyan. While the symbolism and lessons on morality may be heavy-handed, there are very powerful scenes that leave the viewer grappling with the film’s devastating conclusion long after the credits roll. But I find the ending really misjudged … A Canada-France coproduction shot in Montréal and Jordan, it describes the shattering quest of a pair of twins. "[24] On Metacritic the film has a weighted average score of 80 out 100 based on 42 reviews, indicating "generally favorable reviews". Written by Mylène Chollet Incendies 2010 Plot Summary IMDb. The ghost referred by the villagers as ‘stree’ is the ghost of a woman who worked as a prostitute in the village many years ago. [13], For the part of Nawal, Villeneuve said he conducted an extensive search for actresses across Canada. In fact, he respects the whole system, even the hefty hectic part of the film. But strict verisimilitude would not serve the dramatic ends that “Incendies,” based on a play of the same name by Wajdi Mouawad, sets out to serve. In 2011, it was nominated for the Academy Award for Best Foreign Language Film. [32], Roger Ebert gave the film three and a half stars, saying "it wants to be much more than a thriller and succeeds in demonstrating how senseless and futile it is to hate others because of their religion", and Azabal "is never less than compelling". [27] Marc Cassivi of La Presse claimed the film transcended the play. When their mother, Nawal (Lubna Azabal), dies, Jeanne and Simon Marwan (Mélissa Désormeaux-Poulin and Maxim Gaudette), twins who have grown up Canadian, discover that her last will and testament requires them to set off on a kind of scavenger hunt across time and geography. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love. Incendies ("Scorched") is a dark, powerful and haunting thriller-drama from Canadian director Denis Villeneuve. by Radiohead. [29] However, Martin Morrow of CBC News was unimpressed, saying, "Villeneuve’s screen adaptation strips away all this finely textured flesh and leaves only the bare bones". These entwined plots unfurl in the recognizable, modern world — in Quebec and an unnamed country that closely resembles Lebanon — and at the same time in an allegorical universe governed by the tightly coiled logic of fate. [31] Authors Gada Mahrouse, Chantal Maillé and Daniel Salée wrote McCraw and Déry's films, Incendies, Monsieur Lazhar and Inch'Allah, depict Quebec as part of the global village and as accepting minorities, particularly Middle Easterners or "Muslim Others". However, he said the Arab crew members felt "It’s important that those sorts of stories are on the screen". Incendies Trauma and tragedy in the Middle East World. The notary’s job is to keep records and specify the mutual obligations of the living and the dead. While Nawal is at university in Daresh, a civil war and war crimes break out with Nawal opposing the war on human rights grounds. [41], On 22 September 2010, Incendies was chosen to represent Canada at the 83rd Academy Awards in the category of Best Foreign Language Film. But if “Incendies” were her story alone, it might have been too much: an overwrought and awkward slog through a bloody stretch of the past. The knotted destinies of its characters are like the family secrets in a Shakespearean or classical comedy but turned to a darker purpose. Among the film’s subjects is kinship, the often painful ways that bonds of blood connect strangers and enemies. — Incendies is a French-Canadian film that was nominated for a 2010 Academy Award. But if “Incendies” were her story alone, it might have been too much: an overwrought and awkward slog through a bloody stretch of the past. It all feels so authentic, and so perfectly (and interestingly) structured as a puzzle-mystery that still delivers layer upon layer of emotional punch and themes. Judged by strictly naturalistic standards, the flurry of revelations and coincidences that wrap up the double story may seem implausible. The film was shot mainly in Montreal, with a few days spent in Jordan. The shock of learning the truth caused Nawal to suffer a stroke which led to her decline and untimely death at age sixty. While the country is unnamed, the events in the film are heavily influenced by the Lebanese Civil War and particularly the story of prisoner Souha Bechara. A mother's last wishes send twins Jeanne and Simon on a journey to the Middle East in search of their tangled roots. Simon meets with him personally, and he reveals the war-mad Nihad was captured by the nationalists, turned by them, trained as a torturer, and then sent to Kfar Ryat, where he took the name Abou Tareq, making him both the twins' half-brother and father; as such, both letters are addressed to the same person. Their travels in a relatively peaceful and functional 21st-century quasi-Lebanon are interwoven with episodes from their mother’s life during the nation’s long and gruesome civil war. The depth and complexity of her anger is both a product and a mirror of her native country’s self-destructive pathology, and as the full horror of her life is disclosed, she becomes, in her children’s eyes and the audience’s, as grand and tragic as the heroine of an opera. Many people might say Incendies is a story about war because this film contains complicated issues that today’s war is supposed to combine: ideology, religion, violence and history. As a young woman, Nawal provokes the violent disapproval of her family when she falls love with a Muslim and flees her hometown for the capital. Her son's orphanage in Kfar Khout is destroyed by a Muslim militant, Chamseddine, who converts him into an Islamic child soldier. 1 + 1 = 1. WITH: Lubna Azabal (Nawal Marwan), Mélissa Désormeaux-Poulin (Jeanne Marwan), Maxim Gaudette (Simon Marwan), Rémy Girard (Notary Jean Lebel), Abdelghafour Elaaziz (Abou Tarek), Allen Altman (Notary Maddad), Mohamed Majd (Chamseddine), Nabil Sawalha (Fahim) and Baya Belal (Maïka). Mr. Girard, one of Quebec’s finest actors, has a dumpling face and genial demeanor made for comedy, and he turns Lebel into a marvelously paradoxical figure. Parts of the story were based on the life of Souha Bechara. 9782742783366 incendies ne papiers textes de theatre by. The second letter addresses him as the twins' brother, and is instead written with caring words, saying that he, as Nawal's son, is deserving of love. Incendies (French: [ɛ̃.sɑ̃.di], "Fires") is a 2010 Canadian war thriller film directed by Denis Villeneuve, who co-wrote the screenplay with Valérie Beaugrand-Champagne. "Incendies" is a mystery story that is brief but yet long, subtle but straightforward. incendies le sang des promesses 2 by wajdi mouawad. Incendies is a 2010 Canadian war thriller film directed by Denis Villeneuve, who co-wrote the screenplay with Valérie Beaugrand-Champagne. [10] When the film was screened in Beirut in March 2011, Villeneuve claimed "a lot of people said to me that we should show this film to their children, to show them what they had been through". Incendies is in essence a family drama, astonishingly intense but impressively poised. In French and Arabic, with English subtitles. DV: No, it is based on events that occur in the Lebanese civil war in the 70’s, for instance, in the 70’s and 80’s, there was the Sabra and Shatila massacre or the bus attack that occurred in 1975 in Beirut. [12] The project had a budget of $6.5 million,[3] and received funding from Telefilm Canada. Is the movie Incendies based on a true story Quora. 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